A journey of photographic adventure, Two Views was born by two friends having a blast and learning from each other on a photo shoot in the autumn sunshine, asking the question “How can we continue to push our photographic boundaries in terms of technical knowledge, new challenges and creativity and have fun at the same time?” The answer we came up with was to set ourselves a project every two weeks, and then publish the results together. Two Views of the same subject / idea or technical approach. By the end of this year we will have covered 26 subjects and produced at least 50+ awesome photographs, and have learned a huge amount along the way! We’d love your comments, critiques and ideas, and if you want to “play along” too, please do let us have your shots by links in the comments sections! TJ & The Brunette
Friday, 30 November 2012
Thursday, 29 November 2012
I am somewhat of a traditionalist when it comes to autumn in that I love the vast array of wonderful colours that we are blessed with in the UK. Each year I make a mental note of exactly the best week of year to capture the golden leaves on the trees just before they fall, and of course I always forget. The setting for my photo is a view at the start of the Whinlatter Pass in the English Lake District taken at the beginning of November. Not only was I fortunate enough to be in a stunning location, but on that weekend the first snow of the year fell. So what I was able to capture was a picture that shows an autumnal setting encompassing the dieing throws of an English summer in the foreground and the fast approaching winter with the snow on the mountains in the background.
My other shots were of three different settings closer to home. The left hand photo is of the woods above Medmenham close to work. The centre photo is of Stubbings Nursey on the edge of Maidenhead Thicket, and the right hand photo is a low level shot taken on a farm in Littlewick Green near Maidenhead. The problem I had with all three shots was trying to replicate what I could see with the human eye, and I think that is the difference between these photos and the main Whinlatter Pass photo.
Tuesday, 20 November 2012
Wednesday, 14 November 2012
I decided to try the panoramic setting on my new Samsung Galaxy SIII phone, as it makes it EASY for you! It tells you to start and then directs you as to where to take the next shot, keep focus and exposure static for you and then stitches it altogether! I decided my trip to the beautiful Natural History Museum in London would be my location, and took four panoramas that I am really pleased with using just my phone! My favourite HAD to be the dinosaur in the main hall, which would be impossible to get into one shot without a panoramic photo! I am really really pleased with it, I like the distortion created by the super wide view on the building, and the fact that you can see a more than 180 degree view into the archways either side, including my husband, standing patiently waiting for me on the right hand side (the bearded handsome man by the archway :) Below are the other three shots, taken across huge swathes of the inner great hall, and one of the ice skating rink outside, they would be fun to print up I think!
I had great fun with taking panoramic photos. I was fortunate enough to spend a weekend in Cumbria so I was presented with plenty of stunning landscape scenery to try panoramic photography. I knew what I wanted to photograph before I got there. The Ribblehead Viaduct which is actually just across the border in North Yorkshire on the Settle to Carlisle railway, and somewhere I had last visited in the 1980s with my dad. It was a bitterely cold afternoon when I got there with icy strong winds, rain in the air and the light was fading fast. I used my tripod although it was not easy finding a flat surface and in addition the wind was causing the camera to move at times. The panoramic view contains 3 photos I took using the panoramic setting on my Lumix FZ45, which I then put into Adobe Photoshp Elements 9 to stich them together into one complete image. I was really pleased with the final results as there was no other way to photograph such a wide structure close up, which therefore made it a perfect subject for this topic.
My two other photos were taken the following day in the Lake District. The top photo is 5 photos stitched together of the stunning Derwentwater. The main problem I had with this photo was I took it by hand and didn't quite get the level right to start with, which meant I had to rotate the photo and crop it losing some of the lake, but it was a good lesson learned. The bottom photo was 3 photos stitched together taken from the Whinlatter Pass looking down towards Braithwaite Lake, and this one worked to plan and I was really pleased with it.